Race and the Zone System Controversy :: Free Essays Online

Race and the Zone System Controversy You get in the cab; you are white and well dressed showing your social status. The cab driver is friendly and takes you directly to your destination. The little map in the backseat of the cab tells you the cost of your trip; however since you, like most people, never even read it, the cabbie tells you the price, and you go ahead and pay without question. You are a resident of the District and have gone the same route many times and for some reason the price varies occasionally. You only traveled through one zone from your upper-middle class neighborhood of Foggy Bottom to Capital Hill where you go about your busy life. For you the zone system of taxicab fares is no big deal. You have the money to pay for each ride and a cab driver will always pick you up. A change to the metered system would only be a slight adjustment to your daily routine. However, other residents of the District would be greatly affected by a change to the metered system. Would a change in the zone syste m benefit the upper class, the tourists, the drivers or the lower income residents of DC? Is the city watching out for its lower income black residents? Will changing from a zone system to a metered payment system segregate Washington, DC even more than it is today? The zone system that is used today has been in effect since the Great Depression and has changed very little since then. With the zone system, passengers pay according to the number of zones they pass though with all of Downtown, the Mall and Capital Hill encompassing one zone. DC is the only major city that still utilizes this zone system; there are only a handful of areas that continue to use the system and all are smaller towns without the tourism that DC has. Hanbury president and CEO of the Washington Convention and Tourism Corporation stated that the, â€Å" hospitality industry, which employs more than 260,000 individuals in the Washington area pumps fourteen billion annually into our economy† (Hanbury). Having the second largest taxi industry in the country supports the substantial tourism in DC; the taxi fleet is second only to New York City, with a fleet of over 6000 cabs and 8000 drivers.

Essay on Recession

Downturns are stressful and typically increase people's desire for simplicity. (Flatters and Wolcott, 2009, up. 3). Credit crunch has affected consumers massively. Consumers have to think where they need to shop and what they need to look for to avoid struggles during recession. Things Like food, bills, and mortgage have to be prioritize Instead of buying new house, furniture, going on holiday, spending money on social activities or buying trendy clothing. During recession consumers have to make sure that they find the products for the money they pay.Brand names are getting less important for people as their priorities are different this tough time. Customers are more likely to shop for clothes in supermarket now instead of designer clothing as they have to think about the future living and getting bargains is essential to survive. A lot of consumers changed the way they shop and where they shop. People started looking for bargains and they didn't care which shops offered them as lon g as It was the best deal. In other hand, a lot of consumers remained within their favorite shops.Rust and Cohort, (1993), tied In McCormick (2002,p. 1 1 2) found that loyal shoppers are more likely to ‘forgive' occasional service failures and the inertia factor within loyalty makes them less likely to switch stores. A lot of people don't like change and staying loyal is important for them as well as for the company. Conclusion Downturn has influenced consumer in different ways. Consumer had to change their lifestyle and adapt to the changes, but now people think about their future strongly avoiding the struggles created by recession.

Art Nouveau A Movement That Swept Through The Decorative...

Art Nouveau Art nouveau was a movement that swept through the decorative arts and architecture in late 18th and early 20th centuries. It began as a reaction against the historical emphasis of 19th century. Often 1905 is known as the end of Art Nouveau Art nouveau originated in London and was variously called Jugendstil in Germany, Sezessionstil in Austria, as Modern (ÐÅ"Ð ¾Ã ´Ã µÃ'€Ð ½) in Russia, Modernismo in Spain and Stile Liberty in Italy,full stop Many of these terms refer to the idea of newness. Its permanent name was derived from the Paris shop of Samuel (Siegfried) Bing. La Maison de l’Art nouveau, founded in 1895. Many names refer specifically to the organic forms of this kind of art such as Stile Floreal (floral style), Lilienstil (lily style), Style Nouille (noodle style), Paling Stijl (eel style), and Wellenstil (wave style) at last the name was formed as â€Å"Art Nouveau†. An idea behind Art Nouveau was to bring art to every aspect of life, removing the dividing line between art and commerce, between beauty and utility and most importantly, between the elite and the public, making art available to everyone, not just the rich. â€Å"Art Nouveau† style was not limited to paintings but, nowadays we can see this style as a form of architecture of buildings, sculpture and jewellery, glass work, ceramics and statues . GlassCeramics works Architecture Fine Art Art nouveau is not a naturalistic painting but anShow MoreRelatedThe French Art Nouveau Movement And The International Typographic Style1698 Words   |  7 Pagesand characteristics of graphic design have changed tremendously. The unique qualities of poster designs from the French Art Nouveau movement and the International Typographic Style both reflect their social environments at the time. Henri de Toulouse-Lautrec’s La Goulue au Moulin Rouge and Alphonse Mucha’s Monaco Monte Carlo demonstrate the techniques and qualities of the Art Nouveau era, while Josef Mà ¼ller-Brockmann’s Der Film and Neue Grafik / New Graphic Design / Graphisme actuel, no. 2 by CarloRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesbe said about film in general. And certainly the criticism of films—or, better yet, their analysis—is an enterprise of utmost importance: it is the film-makers who create the art of the cinema; it is through reflection on those individual films we have liked (or those we have disliked) that we have gained insights into the art of the film in general. Still, there are other approaches. Cinema is a vast subject, and there are more ways than one to enter it. Taken as a whole, it is first of all a fact